27 اسفند 1388

آسيا و استراليا

ايران

استراليا

آذربايجان

بنگلادش

تايلند

چين

سوريه

فيجي

کره

لائوس

مالزي

ميانمار

نيوزيلند

ويتنام

اروپا

اتريش

ايتاليا

ايسلند

ايرلند

آلباني

بلژيک

بلغارستان

پرتغال

چک

دانمارک

روسيه

روماني

سوئد

سوئيس

فرانسه

قبرس

کرواسي

لوگزامبورگ

مالت

مجارستان

موناکو

نروژ

هلند

آفريقا

کامرون

گامبيا

مصر

نيجريه

آمريكاي شمالي و جنوبي

کانادا

 جستجو در پايگاه:
 

معرفي شورا

دبيرخانه شورا

مصوبات شورا

پژوهشهاي فرهنگي

نهادهاي فرهنگي

نقشه پايگاه

صفحه اصلي > پژوهشهاي فرهنگي > سياستهاي فرهنگي كشورهاي جهان > سياست فرهنگي جمهوري اسلامي ايران
 
  • اصول سياست فرهنگي جمهوري اسلامي ايران
  • مبادي‌ السياسة‌ الثقافية‌ للجمهورية‌ الاسلامية‌ الايرانية‌

  • INTRODUCTION
  • Objectives:
    • Cultural objectived of Islamic Republic of Iran
    • Objectives of cultural policy
    • Principles of cultural policy
    • Warnings in connection with cultural policy
    • The cultural course
 

PRINCIPLES OF THE CULTURAL POLICY OF THE ISLAMIC REPUBLIC OF IRAN

SUPREME COUNCIL OF CULTURAL REVOLUTION

INTRODUCTION

People are the ones who both create and preserve human culture. This fundamental activity , however, can sometimes be disorderly, disharmonious, and sporadic, and, at times, orderly, coherent, planned, and guided.

Whenever, throughout the history of mankind, governments and formal institutions veered away from people's cultural orientation and followed their own path of either non-popular and anti-popular cultural policies; and, in particular, whenever people, for a host of geographical, economic, political, and psychlogical reasons, cultural ormation and interaction culture would inevitably tend to loose its desirable and accomplished dynamism, to say nothing of cultural disruption and discontinuity. Thus, man failed to optimally utilize his cultural heritage and intellectual potentials, as necessitated by the espirit de corps, nor did he succeed in tapping his existential resources to the extent possible. The emergence of man in his C ollective form and character is so important and effective for that Imam khomeini, may his soul rest in peace, has described it in the following manner:

" If the blessed word of Allah unifies people, enabling them to destroy all idols, they will achieve all exalted goals ... Our own experience demonstrates the fact that whenever we failed to collectively take heed of God, we could not achieve anything, though we paid heed to Him on an individual basis."

Today the social impact of culture has tremendously priorities, roots and branches, combining unity in thought and direction with collaboration and harmony. It is a social pact inspired by ideals and beliefs overseeing experiences and realities, limited by capacities and existing facilities, orientated towards the future and short as well as long term-objectives and, at any rate, subsumed under the constitutional law.

The addressees of the cultural policy and those who are expected to put it into effect, are in the first place, officials and all cultural centres and institutions officiated to the government of the Islamic Republic of Iran. Other individuals and groups are also required, proportionate to their respective social ranks and roles - and this arises from their social status and from T he method of their cultural activity, to abide by the provisions of the present chapter of cultural policy and not to be violator.

The following points must be taken into consideration in connection with our national cultural policy:

- Cultural policy is the policy of the Islamic Revolution. That is to say all aspects of individual and social life in our country have been based on the Islamic culture. Thus, one should not forget that the Islamic Revolution is indeed a cultural revolution, and that we should spend a major and greater part, if not all, of our efforts, resources, and capabilities on enhancing, developing, and revitalizing our culture in all its individual and social aspects.

If we make oral and written assertions to the effect that ninety percent of solutions to and remedies for our social problems and ailments are cultural, but in actual fact reverse the ratio by allocating ten percent of our resources to cultural issues and the remaining ninety percent non-cultural affairs, then the adoption of a rational cultaral policy will be of no use to us.

The cultural policy of the Islamic Republic of Iran is based on Islamic ideology (weltanschaung) and humanitarianism I ncluding the following concepts and fundamentals:

- Absolute predominance of a monotheistic attitude over all aspects and arenae of individual and social life, and - fundamental impact and role in the Islamic society of beleiving in such religious roots and branches as Revelation, prophethood Imamate, Justice Resurrection, Exoneration, and Amicability.

- Eternity of human existence and his intrinsic venerability and dignity as the vice-gerent of God and his trustee, with free will and with reason to shape his own destiny, capable of using his reason and experience to perpetuate his evolutionary movement.

- The divine nature of man which is the source of his growth, goodness, and well-being.

- Equality of all men in creation regardless of their skin colour, race, and social class; universality and comprehensiveness of the Islamic message inviting human beings to collaborate and cooperate in benefaction and humanely activities.

- The physical and spiritual nature of man and his capability of growth and of actualizing his potentialities in all individual and social, material and moral, corporeal and mental, rational and E motional aspects; and the interrelation of those aspects.

- Benevolence, perfectionism, idealism, unlimited scientific capacity of man and his natural tendency towards seience, knowledge, beauty, sanctity, worship and virtue.

- Proliferation and power of faith in creating spiritual values and virtues and in developing a sPirit of independence, liberty, and self respect; and consolidation of humanely relations in the society.

- Educability of man and actualization of his potentialities and creative afilities in pursuit of founding a monotheistic, justice - loving, knowledge-seeking society relying on holy war (Jihad) and on practice of religious jurisorudence (Ejtehad), characterized by moderation and realism, and, also, benefiting from discussions and exchange of views, and from criticism, scientific investigations and historical lessons and experiences.

- Essentiality of spiritual virtues and the exalted status enjoyed by prety, science, and Jihad and virtues in the Islamic society in ranking men according to their respective dignity and virtue.

- Impressionability of man to positive and negative factors of social environment and to cultural clamities and impediments, the responsibility of the Islamic Repulic for purging social E nvironment of all evils, for administration of justice, and for granting people the right to participate in all social affairs, taking into account the necessity of eradicating all causes and factors giving rise to infidelity, hypocrisy, poverty, corruption, oppression, despotism, hegemony, and arrogance.

- The IDEAS, viewpoints, teachings, and juristic opinions of Imam khomeini, may his soul rest in peace, which are the bases of the cultural policy of the Islamic Republic of Iran, serve as the best and most authentic indicator and representative of the pure Mohammadan Islam and distinguisher thereof from all other forms of pseudeo - Islams prevailing both in Iran and abroad.

- The semantic domains of the words and terms used in the present approved text of cultural policy correspond to the religious fundamentals embodied in Imam's line and funistic approach. If, therefore, there exist here in some allegorical and ambiguous points, there also exist many clear and definite statements by reference to which all ambiguities could be removed.

As is the case with his political, economic, and social ideas, imam's gnostic, cultural, and artistic views will be considered O ur guidelines and problem solvers and will continue to shed light on our national artistic and cultural policy. Whatever Imam has said in relation to musics, films, television serials, sports, and the like will serve our guideposts.

That great mentor's comments on intelletual activities and culture have been engraved on our souls and hearts:

"Culture is the source of all fortunes and misfortunes of nations." Release from evil teachings of western culture, the substitution therefor by our Islamic and national culture, and a cultural revolution in all aspects of national life require tremendous, life-long efforts. Nobody should underestimate the danger of the dogmatic clergy and og idiotic pseudo-saints. In the lslamic Repubic of Iran , except for the cases where Islam and the prestige of the Islamic system are in jeopardy - and this should be judged by knowledgeable experts - nobody can impose his personal views on anybody else ... If we manage to introduce a government system based on non - aligned principles and on pure Islam devoid of any deception and hypocrisy, then we can claim that our Revolution is victorious. Culture is the starting point of reforming a country. We hope man would reach such an A dvanced stage that guns give way to pens, because the latter have been of service to him much more than the former ... Islam's commendment as to Jehad (the holy war) ... essentially means that people should defend the truth and justice and replace guns with them.

One of the most important principles of our glorified Islam is propaganda, which introduces good deeds encouraging people to perform them, and which depicts had deeds showing the way to avoid them. Therefore, show our people and, in particular, our brave youth, the framework of pure Mohammadan Islam dpicting sacred indignation and revolutionary hatered against capitalism of the west and aggressive communism of the East, and the say to struggle against hypocrisy and deception. It should be propagated among alll officials and people, as an undending principle, that our islamic system means business when it comes to its objectives, and that in case the Islamic values are in jeopardy, anybody responsible regardless of his or her social rank and position , will be categorically treates."

- The constitutional law, as another manifestation of the vision of the Islamic culture and of the Islamic culture and of I mam's thoughts and Ideas, inspires and corroborates our cultural policy.

- The provisions of the constitionel law , in particular, what has been stipulated in the 2nd, as well as, 7th through 30th principles in connection with culture and the social and political exigencies thereof; in other words, the directives mentioned in regard to such issues as moral virtues, human dignity, liberty, independence, human experiences, research and innovation, general knowledge, public participation, the command to do what is right and the prohibition of what is wrong, and the like does and will serve as guidelines of the national culturanl policy.

- Cultural policy, in its general and customery meaning, refers to a set of goals, fundamentals, priorities , and executive policies , whereas a more restrictes sense of the phrase specifically refers to executive policies.

Objectives:

The following outlines the overall cultural objectives of the Islamic Repubic of Iran as well as the ultimat goal of drawing up the present charter of cultural policy.

A. Cultural objectived of Islamic Republic of Iran

1) D eveloping any and elevating humanitarian Islamic culture, and spreading the message and culture of the Islamic Revolution throughout the society and the world.

2) Achieving cultural independence, remove degenerate manifestations and inappropriate bases of foreign cultures, and rid the society of superstitions and of deviant customs.

3) Making man's creative abilities attain perfection in all aspects; activate his potentialities and endowments; and tap his existential resources.

4) Embellishing man with moral virtues and with divine attributes in the course of his transcendence.

5) Fully materializing cultural revolution in order to institute the values prescribed by Islam and the Islamic Revolution in both individual and collective life; safeguard the aforementioned values; and making the cultural movement toward an ideal society a continuous process.

6) Understanding the zeitgeist, making a critical review of human societies' cultural achievements, and utilizing those adaptable to Islamic principles and values.

B. Objectives of cultural policy

1) D etermining and drawing up guidelines and binding priorities for the country's cultural movement, and formalizing them, awing inspiration from Islamic ideals and convictions, considering realities and capacities, and utilizing both national and international experiences and eppriate and varied tools and facilities.

2) Developing unified procedures and coordinating cultural activities of various executive agencies of the Islamic Republic; and mobilize facilities, efforts, and cultural programmes with a view to meeting the society's cultural needs and to directing existing cultural efforts and needs.

3) Emphasizing spiritual values and ideals as well as Islamic culture; preserving and promoting the "Bassiji". (mass mobilization) culture; strengthening the spirit of sacrifice and devotion to sacred Islamic values, considering the necessity of understanding the zeitgeist; reinforcing strong points; removeing week points; and being prepared for properly and adequately facing exigencies and unexpected developments.

4) Makeing necessany preparations fon the alignment to various economic, social, and non - cultural projects and P rogrammes having culural impacts with the national cultural policy, and eliminating dicrepancy between them.

5) Facilitating and promote the planning, supervision and evaluation of cultural affairs supporting plurality, diversity, and freedom of people's cultural activities; facilitate and promote cultural exchange and interaction between private and public sectors to increase cultural dynamism, dedicated efforts, and accomplishments; and upraise general knowledeg and awareness of the public and the spirit of research, initiative, and innovation.

C. Principles of cultural policy

The principles of national cultural policy serving as guidelines for officials, managers, planners, and agents of cultural affairs are as follows:

1) Recognizing and evaluating historical and national heritage and traditions in various religious, scientific, literary, artistic, and public culture arenae; safeguarding Islamic and national works of art; and preserving and revitalizing constructive and valuable achievements of the Islamic civilization in Iran.

2) Being comprehensively cognizant of Islamic and Iranian C ulture and civilization; promoting Islamic morality and knowledge; and introducing great figures and events of both Islamic and Iranian history to the public.

3) Establishing active relationship with other nations; and consolidating bonds of freindship and strengthening solidarity with Muslim and other peoples.

4) Being cognizant of human culture and experiences; and utilizing, through all appropriate and useful tools methods, the world's scientific and cultural achievements.

5) Consolidating national and religious solidarity taking in to account ethnic and religious characteristics; and endeavouring to eliminate impediments to national unity.

6) Making continuous efforts to facilitate the society's scientific, cultural, and technological grwth to being spread literacy and pedagogy.

7) Taking every effort to promote and to enrich the persian litrature and language .

8) Paving the way for flourishing talents and creativities; and supporting initiatives and innovations.

9) Safeguarding human liberty and security in various cultural political, judicial, and economic arenae.

10) P roviding adequate facilities and necessary conditions for researching and utilizing the outcome therfrom in all fields.

11) Encouraging to think and to reason, and critical attitude and to unbiased decision making in intellectual encounters.

12) Countering superstitions, dogmatism, sanctimoniousness, pretensions, extreme modernism, and infatuating with foreigners under the banner of realism.

13) Promoting the spirit of equalitarianism and of struggling for social justice.

14) Granting due import to toil; by showing respect for efforts to achieve independence and self reliance; and, at the sometime, encouraging commitment to self - sufficiency and to contentment; struggling against tendencies to extravagnce and dissipation.

15) Fostering both body and mind, by making an allembracing effort to promote sports and physical education as an important social necessity.

16) Strengthening revitalizing and introducing constructive and authentic art in all fields and arenae compatible with the spirit of Islamic teachings.

17) Taking comprehensive steps to identify younger G eneration's potentials and physical as well as spiritual needs, providing them with appropriate and favourable conditions to upgrade and to perfect their scientific and ideological personality, and responsibility, and to directly participate in all aspects of individual and social life to the extent possible.

18) Strengthening the personality and social position of Muslim women as mothers; encouraging and creating conditions necessary for them to discharge their essential mission as" educators of the next generation" Taking steps to actively participate in social, cultural, artistic, and political affairs; and struggling against incorrect attitudes and beliefs in this regard.

19) Expanding the scope of public participation in cultural, artistic, scientific, and social affairs; and supporting nongovernmental activities with a view of making culture a common cause and promoting government-sponsores cultural affairs.

20) Adopting positive policies in regard to cultural, artistic, and social affairs and making immune for the society against cultural diseased; endeavouring to create an attractive and tolerant atmosphere based on a holistic attitude, F arsightedness, and consultation and devoid of violence, hasty decision making, Stereotyped outlook , and of despotism.

21) Encouraging and strengthening espirit de corps and provid Training in this regard; giving priority to collective rather than individual interests; having respect for law and pulblic order as a social habit and tradition ; and making the government pioneer the defence of sanctity of law and of people's rights.

22) Endeavouring to identify and publicizing the fundamentals of authentic religious and national identity to consolidate and perpetuate culural independence.

23) Promoting critical attitude and opennessing to criticism; supporting the right of individuals and groups to invite people to do what is right and to prohibit them on doing what is wrong on the basis of wisdom, good preaching and tolerance; struggling for achieving the best.

24) Expanding and upraising artistic and cultural propaganda, so that moral virtues could be promoted and consolidated.

25) Paying heed to the rustic art and culture to uplift the S tandard of cultural life in villages; and, also, strengthening authentic and valuable rustic and tribal creativities.

D. Warnings in connection with cultural policy

1) Misconception of asceticism and heedlessness of wordly affairs leading to lack of dynamism, social stagnation and loosing sight of the future.

2) Disregarding for public order and pessimism about government, as has been the case throughout the Iranian history.

3) The illusion that Islam (shari'at) is against all sorts of innovation, and that piety and commitment runs counter to specialization and expertise.

4) being concealed immorality and corrupt ideas.

5) A tendency towards violent and hasty solutions to those social problems required to deliberation and prudence.

6) Resorting to shari'at in order to evade law and vice versa.

7) Justifying violation from social order under the pretext of good faith.

8) Refusing to show social gratitude under the pretext of the person involved will be socially rewarded, or that altruism is E xpected of everybody.

9) Failure to pay sufficient heed to people's varied Characteristics and passing an absolute judgement as to their be eithen good or bad.

10) Failure to pay heed to social, political, economic and environmental factors and issues considering sermon and admonition adequate for religious and social guidance and education.

11) Not to be compiled the political philosophy and a management doctrine in the society, in spite of necessary fundamentals and materials existed in reference books necessary fundamentals and materials existed in reference books of Islamic jurisprudence.

12) Misconception of religious concepts.

13) To be overshadowed the right against the rank.

14) Prevalency of certain superstitions under the cover of ethnic traditions or religious beliefs.

15) Criticizing superficially of one's own traditions, in having resource to foreign ideas, traditions, and appearances.

16) Hypocrisy, discord, flahery , flattery and the danger of becoming widespread it as a standard social behaviour.

17) S landering, defamation, lawlessness, and intrigue disguised as religious and revolutionary duty.

18) Suspicion against people and tendency to investigate their in private life ; and misinterpretation their deeds and motives ; and accusing them of wrong doing.

19) Disrespect of national affairs and values; in the society and also disgrace to the traditions and culture of other nations and tribes.

20) Enjoining not to commit what is unlawful by resorting to other unlawful things.

21) Inattention to spiritual Values and methodical foundations and situations; and neglection in the socio - religious duty of directing people to do what is right and lawful, and of enjoining them not to do what is wrong and unlawful.

22) considering one's own behaviour as the criterion for passing judgement on that of others; interpreting and enforcing laws and regulations in accordance with one's own views; and being responsible to none.

23) Neglection in precedents of westernization and of ideological impurities; failure to pay sufficient heed to solve C ontemporary problems on the basis of religious instructions; and failure to consider methods of other cultures and Conception and apprehension the ways of finding communication to them.

24) Adoption a vulgar and demagogical attitude, relying on wrong beliefs, habits, and practices prevalent in the society in the name of taking the part of the deprived or of defending the religion.

25) Indiligence to exchange of views and ideas; and resorting to illogical approaches in encountering to other's thoughts or attitudes; and prefering negative solutions and encounters in non - essential cases.

26) Not to call any one to account who interpretes and executes laws on his own opinion.

E. The cultural course which has been arranged to execute the principles of the cultural policy in favor of sections named "Objectives", "Fundamentals", and "Warnings" and is appointer of: "Priorities and general policies" and also is specifier of: "Supervision"," Implementation and coordination centres" , the details are as follows:

Priorities & general policies

1) G iving priority to the country's children, teenagers and youth.

2) Giving priority to "Islamic nations and communities" and to More diligence "Iranians" living abroad.

3) Endeavour to "discover cultural and artistic talents and creativities" , and teaching and educating manpower in the related fields.

4) Supporting, both morally and materially, artistic, cultural centers and activities and social security motivating them to artistically and culturally creation and innovations.

5) Giving priority to elevation of women's social status on a national level, by taking in to account Muslim women's high position and key role in consolidating the foundations of households and in Successful implementation of social, cultural, scientific, and artistic programmes.

6) Providing appropriate opportunities for a balanced and optimal utilization of leisure time in cultural and artistic activities.

7) Increasing the number and capacity of cultural centres taking in to consideration the country's population growth rate.

8) E ncouraging people's investment on and participation in cultural activities; directing thei intellectual motives for meeting the needs of artistic and cultural sectors; developing necessary facilities; and guarantying the investors' legitimate rights.

9) Assistance in securing raw materials and strengthening industries in the production of artistic and cultural products and facilities.

10) Organizing the market and promoting the sales of artistic and cultural products and; improving related distribution network.

11) Paying heed to the reconstruction, modernization, equipping and expansion of existing artistic and cultural centres; and making use of new technologies and mass media; and optimally utilizing them.

12) Centralizing policy making; decentralizing executive affairs; and coordinating artistic and cultural institutions' organization and Activities.

13) Reinforcing research, statistical, and information systems, so that cultural activities could be properly planned and evaluated.

14) O rganizing and optimally utilizing artistic and cultural facilities of non - cultural public institutions, and stopping overlapping activities in non - essential issues.

15) Strengthening an appropriate and complementary relationship between cultural and educational sectors of the country, in particular, with respect to manpower training and expanding of artistic and cultural activities at educational centres.

16) Allocating proceeds from artistic and cultural products and services to reconstruct and to develop of cultural and information dissemination sectors.

17) Training, on a permanent basis, manpower and active managers in the cultural sector.

culture & Art

18) Establishment artistic, cinematic, and cultural complexes and distribution and sales networks throughout the country to supply artistic and cultural products rapidly and at reasonable prices.

19) Foundation, reinfoncement and equipments public libraries, movie theatres, theatres, art galleries , and museums in numbers Proportionate to local population.

20) R einforcment and establishment such centres and institutions as technical schools, national film archives and cinematic laboratories and centres, Iranian music recording studios, cinematic townships, science academies (art group), and a cross country network of culture houses and museums.

21) Guiding , Promoting and providing general education in connection with art and literature, in particular, traditional Islamic and national arts; organizing art festivals and contests at both national and regional levels offering appropriate prizes and awards.

22) Assistance in increasing cinematic and artistic production; and also showing films and performing plays at training centres for workers and civil servants to popularize culture and to utilize all sorts of specialized training programmes sponsored by both private and public sectors.

23) Assistance in establishing special associations for writers, artists, translators, journalists, and correspondents; strengthen movements and associations committed to the Islamic and revolutionary cause.

24) Enacting necessary laws and regulations to legally protect the authors of cultural, scientific, and artistic works.

25) A ssistance in developing a constructive rapport between Iranian and foreign artists, writers, and research workers.

26) Establishment, reinforcement, and equipment cultural and artistic retrieval and dissemination information centres and the centres for preservation and classification of artistic and cultural documentation and identity cards.

27) Establishment and reinforcement applied research complexes in various cultural fields and sectors.

28) Inquiry on Iranian folklore and different Iranian dialects; replaceing foreign words and names with appropriate persian ones.

29) Expanding and reinforcing the persian languege and literature departments in domestic and foreign universities and scientific centres; and also reinfoncing the persian Language and literature Academy; and removing foreign words and names from public places.

30) Mentioning the Hegira lunar date in connection with post - Islamic events in the history of Iran and of Iran and of Islam at and also in the essential cases where the use of christian calander in necessary.

Facilities

31) S pecifying an appropriate place for the cultural sector in the national budgeting system and allocateing adequate financial resources there to in such a way that the sector could be provided with necessary financial stablity for long - term planning and that cultural activities and programmes would not be subject to the fluctuations in the current budget.

32) Utilizeing the facilities of banks and of interest - free loan funds for social security of writers, artists, and cultural research workers and; providing the aforementioned persons with a special loan and insurance fund.

33) Establishing necessary regulations, so that all those involved in artistic and cultural affairs could benefit from special discounts on and exemptions from customs duties and taxes, and that the aforesaid people would be provided with public services and infrastrectural facilities and; developping the exports of artistic and cultural works; and founding domestic and international markets for works of art for both intellectual advantages and creating income sources.

34) Increasing appropriate artistic and cultural facilities at mosques and other religious propagando centres.

35) S upporting artistic and cultural activities performed by religious and propaganda centeres with a view to implementing the national cultural policy and optimizing the utilization of their existing capacities and facilities.

36) Allocating part of municipal advertisements to putting forward such general cultural issues as environment, hygiene, population growth, migration, production, consumption, law, order, and the like.

37) Supporting the press and: contributing to their qualitative and quantitative improvement and to their access to effective and comprehensive methods of publishing the news and logically balanced views on various topics while enjoying freedom and independence within the framework of related laws and regulation; and also expanding and strengthening the activities of the press both at national and international levels.

38) Expanding, reinforcing, and equipping the Islamic Republic of Iran's News Agency.

39) Establishing and reinforcing a higher - education centre for the training of manpower required for mass media; also, establishing and reinforcing the country's mass media R epresentatives in foreign nations to utilize domestic and foreign experience and researchs in news and propaganda - related activities.

40) Developping demographic as well as geographical coverage of IRIB at regional, national, and extraterritorial levels; improving both quantitatively and qualitatively, I.R.I.B. 's programmes proportionate to propagadna and cultural needs of the Islamic Revolution and the Islamic Republic of Iran.

41) Reinforcing the central news Agency by making optimal use of modern technical know - how and by choosing an effective, diversified propaganda methodology, taking into consideration Islamic and humanitarian principles and values.

University

42) Benefiting from the views and experiences of government officials, scientists, professors, and students in respect of artistic, cultural, and mass media affairs; and orientating dissertations towards required cultural studies and researchs.

History of Islamic Revolution & Holy Defence

43) C ollecting documentation and works on the Islamic Revolution; compiling and completing the history of the Revolution.

44) Establishing and reinforcing war museums of various sizes both in Tehran and provinces and; building memorials; preserve documention and works of art concerning the Holy Defence; and compiling and completing the history there of.

Pilgrimage & Tourism

45) Promoting internal and external tourism; producing required artistic and cultural background materials describing Iran's pilgrimage and touristic places; planing for attracting foreign tourists and for promoting internal tourism through increased utilization of the country's existing pilgrimage, touristic, and recreational facilities while showing respect for sacred values and laws of the Islamic Revolution to familiarize people with Islamic and Iranian culture and civilization.

International Relations

46) Establishing and strenghthening rapport between the academies of othe Islamic Republic of Iran and those of other countries; Developing cultural societies with other countries; C reating and reinforcing such centres as offices of cultural attache; International Islamic universities, and centre for International cultural studies.

47) by Benefiting from the experiences of the Islamic Republic of Iran's diplomatic representatives, utilizing unofficial scientific and cultural centres active in foreign countries; securing an active and effective presence on the part of the Islamic Republic of Iran in the international cultural arenae, in particular, during Hadj and in holy shrines and increasing the production of artistic and cultural works for exportation.

48) Sending artistic and cultural groups on expedition; equiping Iran's cultural agencies throughout the world with a view to expand and to increase the Islamic Republic of Iran's artistic, cultural, propaganda, news, and press presence on international scenes.

Supervision, Execution and Concordance organizations & centres

49) The responsibility for harmony and necessary in executing the principles of our national cultural policy shall be shouldered by the supreme council of cultural Revolution presided over by the president of the Republic.

50) The following Executive Agencies are specifically held R esponsible for the proper Execution of the Islamic Republic of Iran's cultural policy:

- Ministry of Culture & Islamic Guidance

- Ministry of Education

- Ministry of Health and Medical Education

- Ministry of Foreign Affairs

- Islamic Republic of Iran's Broadcasting (I.R.I.B)

- Physical Education Organization

Note 1.

The aforementioned executive agencies are duty - bound to submit, every six months, a progress report on the impementation of cultural policies to the secretariat of the supreme council of cultural Revolution.

Note 2.

The plan and Budget organization and other executive agencies somehow related to the Execution of the cultural policy, or the Execution thereof depends on their support, are duty - bound to cooperate and to provide necessary facilities in order to prove the Republic's cultural objectives.

Note 3.

The cultural and propaganda centres which are, In some way,financed by the Government Budget and public facilities are duty-bound to perform their cultural activities with in the framework of our national cultural policy.

T he principles of cultural policy were discussed and reviewed in numerous sessions and were finally approved in the session No.288, of the supreme council of cultural Revolution , dated 20 Mordad 71(11 August 1992).

 


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